Film is one of humanity’s most powerful tools. The art of cinema is a craft, one that can be shaped into any mould: blockbuster movies, arthouse pictures, streaming series, short films, the list is as endless as our creativity. An industry built on passion deserves an equally dedicated outlet. That’s where FilmObserver comes in.
In line with ObserverCrew’s core philosophies, FilmObserver is entirely constructed by humanity and without the influence of artificial intelligence. Independent writers share their one-of-a-kind analysis through our reviews, news and featured opinion pieces, and they work on their own schedules. Like movies, good writing takes time.
FilmObserver was founded in July 2026, following the expansion of the ObserverCrew editorial network into new mediums. We’ve acquired and display content from the former movie media site Flickluster alongside the all-new FilmObserver coverage.
Editors
34 Articles
Nirav is a 33 year-old living in an unlicensed, extended Nintendo commercial. He considers Avatar: The Last Airbender to be the absolute apex of media. He's best known for his unsolicited Scooby-Doo trivia and rants about lore inconsistencies in the Fantastic Beasts movies.
0 Articles
Walter is a cinephile, making screenwriting the concentration of his Creative Writing BA. He loves writing about films, TV, video games, and any form of storytelling. When not writing about films, you can find him writing about video games on other gaming sites such as GameObserver.com.
Writers
5 Articles
Alyssa likes horror movies, animated movies, movies that make her laugh, and movies that make her think. Current Desert Island Movies (the 5 movies she would watch if she was stuck on a desert island forever): The Women (1939), Jurassic Park, The Mummy (1999), Labyrinth, and Sister Act 2.
19 Articles
Nairon, 24, from Berlin, is a film student by day, and a writer for FilmObserver by night. Movies and video games are his two big passions in life. As long as they are being kept separate, please no more awful video game adaptations.